The Sadness of the Limes

Warning: This play’s got a laugh track.

Scene 1

A man facing Van Gogh’s “Self Portrait with Bandaged Ear” scratches his right ear.

did he miss it

Not enough to hear the rest of the story

The man turns to face forward. He’s putting on a clown nose.

This morning
driving on the highway
I saw a dog walking against traffic
and I thought

It’s God

What are you laughing at
How do you know it wasn’t Him
After all, have you seen Him

I don’t get it
I still don’t get it
What do people laugh at

You
What are you laughing at

This man
he walked an entire day
just to see the woman he loved
take off with her new husband
and so he began to paint
He challenged his era
his teachers
Convention
and he wasn’t understood

He lived off his brother’s handouts
Never managing to show any of his works

But he continued painting

He always believed that in the end there’d be something

He went crazy
and didn’t sell a painting
He cut off an ear
and didn’t sell a painting
He killed himself
And not even that sold a painting

That happened a hundred years later
A vase of sunflowers sold for 39 million dollars
With that kind of money, he could’ve bought himself an ear
Or an entire body
If that would’ve floated his boat

But what’s this story mean
Why is it always referred to in self-help books

I should be grateful for not being a painter
For not having talent
For having both ears
Just like my third grade teacher
always preaching
always out to help us
saying
Let us give thanks for being whole
For counting on two hands  
And two legs
For not needing any help getting around
And today
today precisely today
After seeing God walking against traffic on the highway
I listened to the news

A paraplegic woman avoided getting raped

Fending it off by using her prosthetic leg as a weapon
She beat her assailant with the leg until he lost consciousness

They didn’t say dead
only unconscious
It’s very much on my mind

what are you laughing at

Where would my third grade teacher be now
Would she have been told
Would she have cut off an ear after hearing the story
I don’t think so
Surely the bitch lives in a safe neighborhood
or she wants to be brutally raped
just like that
just to feel something
Because the bitch had a thing against cripples
She couldn’t bear seeing them begging in the street
walking like that with their irregular gait
maybe it offended her
saying that two plus two didn’t make four
The old bitch and her paraplegic pitter-patter

Rite Pool roars with laughter.

Laugh
Why aren’t you laughing
Want to hear a joke

My name is Rite Pool


Scene 2

Rite Pool walks over to a parking meter. He fills it with change. He takes a seat next to it.

Where did it all begin

With Genesis
I suppose

For me it began with a table
A table with three legs
Tilted like a cheap Picasso
it was our kitchen table
it was also the ring for my parents’ fights.
One argument we’d tip it to one side
Another and we’d tip it to the other
Don’t drink water at my table
don’t put down boiling milk
Mom’s argument can get you wet
and Dad’s can burn you

It was hard eating at our table
but we did it
It was there that I told my first joke

Mommy’s stupid

Dad laughed while tilting the table toward his side
Daddy’s stupid
And both of them laughed
Tilting the table from one side to the other
Soon enough my siblings came to see what was happening
And I tilted the table
From one side to the other

Mommy stupid
Daddy stupid

And we all laughed as if we were happy
Barely four and I’d already told my first joke

And then school
So poor and full of tilted tables and stupid people

Above all the teachers
Like that grim reaper I had in first grade
The one who cried at my feet telling me that I’d end up a garbageman
Even now I can’t understand the cause of her tears
Considering what a shit she was
Soon enough she sent me to the Principal’s office
In the end, she didn’t know what to do with me
but the Reaper never figured on my wit winning over that man
So much so that he assigned me the homework of telling six jokes every Monday after
the Pledge of Allegiance
A pledge that he confessed he hated for its solemnity and bad rhymes
That was the first of his confessions
It was also the title of my first routine

Solemnity and bad rhymes

That’s how I began my career
telling six jokes on Mondays after the Pledge of Allegiance

Solemity and bad rhymes

I became so popular at school that the Principal decided that he himself would teach me
Little did young Pool learn of sums and remainders

On the other hand the Principal confessed his entire life
About his sleepwalking mother who saw ghosts in electric poles
A danger to one and all
of his unfaithful wife’s barren womb
of love forbidden by the fourth grade teacher’s polyester apron
And each Monday after the Pledge
six jokes

two about unfaithful wives
two about old ladies getting electrocuted
and two about polyester

He kicked me out
of course
And I was only eight years old

He rises and deposits more change in the parking meter. He sits back down.

And then a new school
With its tables
chairs
teachers
and it’s complete perfect students
all of them complete
the only incomplete one there
was me

You want to hear a joke
My name is Rite Pool

What size
who knows
I could be Olympic-size, I could be a kiddie pool
I could be nothing but a tin bucket with delusions of grandeur
Truth is I don’t know

Sometimes I laughed with them
even though inside I was crying

But I kept on
In other places I kept on seeing incompleteness
Tables
Chairs
People
Dogs
They cried

While inside I was laughing

And I kept on
Always believing that in the end there’d be something 

He confirms that the parking meter is still full. 

Then came the real world
Working at the Three Trapped Tigers
telling jokes
instead of begging
and just like in Genesis
I needed a comrade
An Eve
a sidekick
An Izzy Dedley

For every twenty miserable fools
an Izzy Dedley
a happy man
a happy man with whom I plunged into Solemnity and bad rhymes
I was Solemnity
He brought the bad rhymes
Along with a recently stolen joke

Izzy always said
that with a small-time crook for a father
And a mother who took in dirty laundry he was nursed on vice
All of his jokes were stolen
But that wasn’t his worst sin
The worst thing about Dedley was that he couldn’t even make
his mother laugh
Even though he said he could

I wonder what became of him
Could he be dead
could he have cut off an ear
I don’t think so

He gets up one more time to put change in the parking meter. A man enters hurriedly carrying a
painting in his hand.  It seems like he’s been on the run.  He comes to a stop in front of Rite
Pool.

IZZY DEDLEY
Rite Pool

RITE POOL
with disgust
Dedley
It’s you

IZZY DEDLEY
What are you doing here

RITE POOL
Dedley

IZZY DEDLEY
You wait
Like the chicken in front of the roaster
Hoping his mama escapes unspeared
like that tiny bagel by the toaster
praying his parents avoid getting schmeared

RITE POOL
It’s you
No doubt about it

IZZY DEDLEY
Probably you don’t know whether to take off
on foot or to wait for a dog
like those two little fleas outside the movies
Which one’s your car

RITE POOL
You’re in a rush
I could tell from a mile away

IZZY DEDLEY
Nope
Believe it or not I just got out of the joint

RITE POOL
Like father like son

IZZY DEDLEY
Nope
I went there to do a gig
And well sure I did spend some time in the slammer
But now I’m out

RITE POOL
Surely they’re waiting for you at home

IZZY DEDLEY
No
No one’s waiting
Which one’s your car

RITE POOL
Don’t got one
And that thing you brought here

IZZY DEDLEY
It’s a painting that they lent me

Rite takes the painting. It’s a lithograph of Van Gogh’s 39 million dollar “Sunflowers.”

RITE POOL
You know Dedley
This painting could buy an ear

IZZY DEDLEY
An ear
But I still have both
Mr. Pool

RITE POOL
Or a new body if that would float your boat

IZZY DEDLEY
Seriously

RITE POOL
It’s too bad that Sarah Bernhardt never had a picture like this one

IZZY DEDLEY
Lucky me

RITE POOL
She should’ve taken up painting

IZZY DEDLEY
What for
If her acting was already so good
and what if her painting was bad
maybe they should have had her sing
No Mr. Pool
Why paint

RITE POOL
Because at the height of her career a leg got cut off

IZZY DEDLEY
Ay

RITE POOL
And the Ringling Brothers bought it for a hundred thousand dollars

IZZY DEDLEY
Was it worth that much

RITE POOL
The damned leg wasn’t worth much to them when attached to the rest of her body
But when it was on its own it made more money than Bernhardt

IZZY DEDLEY
I don’t recall any jokes about legs who’ve left their owners

RITE POOL
I do
but that wasn’t it

IZZY DEDLEY
So tell it then

RITE POOL
No
It’s too early
you know Izzy
I’ve been thinking about cutting off my right leg

IZZY DEDLEY
No way Rite
how would you get to the store to buy a bite

RITE POOL
Or my left arm

IZZY DEDLEY
No way Rite
Without arms how could you fight
Cutting off an ear–now that might be bright

RITE POOL
No
No way Dedley
It’s been done

IZZY DEDLEY
We’ll listen to secrets and extort big fees

RITE POOL
No way, Dedley  
It’s way
way
way too cheesy

IZZY DEDLEY
And then, and then…we’ll issue decrees 

RITE POOL
No way
Most likely
my leg
my arm
or my ear
would end up worthless if they left me

Dedley and Rite share a complicit look. They begin to laugh.

RITE POOL
I bring Solemnity

IZZY DEDLEY
And I the bad rhymes 

They get back to laughing.

IZZY DEDLEY
Let’s go back 

RITE POOL
No way

IZZY DEDLEY
We’re as good as we ever were

RITE POOL
Nothing is like it was 

IZZY DEDLEY
We have a mission Rite

RITE POOL
A mission

IZZY DEDLEY
Laughter
Rite
Laughter

RITE POOL
What do people laugh at Dedley

IZZY DEDLEY
At jokes
I think

RITE POOL
One about blacks
One about midgets
One about old people

IZZY DEDLEY
At good jokes
of course

RITE POOL
One about the drowned
One about the burned
Or better yet
One about the crucified

IZZY DEDLEY
We have to do it
There’s a tremendous lack
haven’t you heard

Rite shakes his head no.

IZZY DEDLEY
They try and they try but it all lacks pacing
Now I’m the one whose jokes they’re casing
Can’t you see what we’re facing

RITE POOL
A bad comic is attacked in the street
And the only thing that can make them stop
Is his jokes
It has wit

IZZY DEDLEY
You get it already my friend of good name
I believe that it’s destiny–you and I are the same
I knew there was a reason I stole the frame

RITE POOL
I’m sorry Dedley
But I can’t

IZZY DEDLEY
Come on Rite
I would chop off my right leg
Just to rent the Three Trapped Tigers
And go back there with you

RITE POOL
Then cut them both off
They’re going to demolish it in three weeks

IZZY DEDLEY
Just enough time for a short run

RITE POOL
I can’t Dedley
I’m tired

IZZY DEDLEY
Let’s make the most of the time that’s left at the Three Trapped

RITE POOL
Tired
without even the energy
of those who get dressed up just to throw themselves into traffic

IZZY DEDLEY
Me too
But I keep on keeping on

RITE POOL
You think that in the end there’d be something

Silence.

IZZY DEDLEY
What’s that joke about the leg that’s left its owner

RITE POOL
You don’t know it

IZZY DEDLEY
No

RITE POOL
You’re sure you’ve never heard it

IZZY DEDLEY
So tell it

RITE POOL
Not here

IZZY DEDLEY
Come on Rite

RITE POOL
I don’t know if I want to tell it

IZZY DEDLEY
Rite

RITE POOL
It’s too early

IZZY DEDLEY
I’ll give you my painting

RITE POOL
This doesn’t seem like the right place

IZZY DEDLEY
Where then

RITE POOL
I don’t know
Maybe the Three Trapped Tigers
is the place


Scene 3

In the Three Trapped Tigers three patrons slice onions. They make noise with their knives, creating
a rhythm, a strange symphony, only stopping to dry their tears with handkerchiefs provided by a
barmaid.

CRISTO SUAREZ
One day he showed up
He cased the whole house
He spat on the furniture
Kicked the dog
Slept with my old lady
And hit my children
Since then he’s been living with us
I don’t know how to get him out
How to say
Beat it

SABINO DIAZ
Let’s go let’s go let’s go
So what if you’re in a rush
You still haven’t gotten very far
Let’s go let’s go let’s go
Don’t make me laugh
The guy who’ll fuck his mother is you  
Well then
Who’s the late one now
Let’s go let’s go let’s go
Don’t fall behind
Let’s go let’s go let’s go
Listen up
Move it

JOSEFINA MILETO
You don’t love me
That much is clear
But at least have the courage to come here and say it to my face
Why did you send her
There’s something I can’t tell her
something between us
a secret
something invisible
Three months ago
I got AIDS
and three months ago
you were still with me
Yes my dear
Go rot

Dedley and Pool are seated with their backs turned. They’re both wearing party hats.

RITE POOL
Come on Dedley
This is how you wanted it

IZZY DEDLEY
I feel nauseous

RITE POOL
Like in the old days

IZZY DEDLEY
It’s not nerves
It’s that horrible onion smell  
Where’s it coming from

RITE POOL
You’ll get used to it
Let’s take the leap
You go first

Dedley hops into the ring. He has tears in his eyes. Rite waits with his back to him.

IZZY DEDLEY
This place reminds me of a joke

None of the three trapped patrons put down their knives. To lift Dedley’s spirits, Rite pulls out
a machine that plays laugh tracks.

IZZY DEDLEY
A daddy louse and his little boy take a stroll across a bald man’s head
The daddy stops and says
When I was your age this was a forest

The knives continue. Rite turns on the laugh track. Dedley is on the edge of tears.

IZZY DEDLEY
When I was your age
well
when I was young
this place was
Was

Dedley breaks down and cries. Rite gets out of his chair. He’s wearing dark glasses, and he wanders
toward the audience like a blind man in the night.

RITE POOL
Suarez
Are you here

Suarez drops the knife.

RITE POOL
Drop that onion
Cancer
AIDS
And all the other illnesses
remain incurable

Suarez cracks up.  Dedley is surprised.

RITE POOL
Diaz 

Diaz drops the knife.

RITE POOL
Did you hear about the economic crisis
Only twenty more years of this and we’re good
I know
I can’t afford the subway either
But I still have some spare rope at home
You want some

Diaz cracks up. Suarez joins him, but Mileto’s knife still remains.

RITE POOL
Mileto

Mileto slams the knife on the counter. The knife music has ceased, now all that remains is the
out-of-control laughter of Suarez and Diaz.

RITE POOL
Not so long ago
I got a letter from a girl
who had no legs
She said that my jokes about amputees
made her miss sex less
She asked me out
but I turned her down

Mileto laughs frenetically, to one side of Suarez and Diaz. Dedley collapes.

IZZY DEDLEY
What’s going on
Is the mission accomplished

RITE POOL
Control yourself Dedley
Just think where we would be
if Van Gogh
Had sold a picture

Everyone laughs, except for Dedley. Rite takes off his sunglasses.

RITE POOL
So Dedley 
You want to hear a joke

Dedley nods yes.

RITE POOL
One day I got up and my legs had taken off

Everyone, including Dedley, laughs.

RITE POOL
They were long gone
They’d taken off for good
But they left me a note
that said
Thanks for everything
but it’s time for us to find our own paths
PS
We got bored

No one laughs.  Not a sound.

RITE POOL
And there I was
In bed
without legs
The phone ringing
And me without legs
Wanting to pee
And without legs
Wanting to scream
and without legs
There I was

IZZY DEDLEY
And then Rite

RITE POOL
Then

Rite turns on the laugh track.


Scene 4

Some wicker chairs, a night table with a drawer, and in the bed, Rite Pool, sleeping. The place is
suspiciously similar to “Van Gogh’s Room at Arles” (1889), but it’s not identical.  
A clock lying on the night table decides to wake Pool up with its alarm.
Pool wakes up startled and knocks the clock off the table. The alarm doesn’t stop ringing.  
Pool wants to reach the clock on the floor, but at each attempt it escapes. He pulls the blankets
off, and tries to get up, but his damned legs have taken off. As a reminder there appears a note
on the wall “PS–we got bored.”
Pool takes a breath, then drinks a cup of tea in a single gulp. The alarm doesn’t stop ringing,
but it feels lonely, which is why the phone decides to keep it company.
The telephone is far away, enough so that he can’t reach it.
Pool takes another cup of tea out of the night table drawer. He drinks it in a single gulp, and
tries to find the melody in the happy accompaniment of the clock and the phone, after all what else
can one do if one doesn’t have legs.
Pool starts to smell something burning. He looks back over the bed, then at the furniture, but
there’s nothing. Nevertheless the smell is overpowering.

Fire
Fire
Fire

To the happy melody of the clock and the telephone is added the fire alarm, even though there
continues to be no trace of fire.

Help
Help
For this invalid
in danger
Someone

The doorbell starts to ring with desperation, as the last chime in the symphony between the clock,
the phone, and the fire alarm.
Pool wants to fight for his life by turning off the alarm, answering the telephone and opening
the door but he isn’t able to get out of bed. He searches desperately in his night table drawer,
and only finds the laugh track machine.
Its activation adds the final touch to the symphony. 
Then everything quiets down.
Calm, pure calm.
But suspicion rises as to who will be next.
Even the chairs in their stiffness look malicious.
Pool looks at the chairs.
The chairs look at him.
No one moves.
Pool calms down and takes a cup of tea from his drawer.
He toasts the chairs.

You guys understand me

Rite drinks his tea calmly. He laughs. He goes back to the same old thing.

What would my third grade teacher say if she saw me now
Who do I have to thank now
Answer me slut
I feel so
incomplete

In the end
I suppose they never much liked me
Those pains in the knees
Those corns in the soles
Those ingrown toenails
They’ve made my life miserable
where have they gone
I’ve waited enough in this life
All my life I’ve spent waiting

I wonder what they’re doing now
are they shaving
Two shaved legs
stroll down the street
hoping to be picked up
And they pull it off

Pool feels a sudden desire to pee, but the bathroom is very far away. So far that the bladder
decides to empty itself. Pool sighs with relief. The alarm starts ringing again. It peals with
insistence. Pool relaxes in bed and turns on the laugh track.

Dedley enters the room through the window.

IZZY DEDLEY
Why didn’t you open the door
I’ve been ringing for an hour

Pool is silent.

IZZY DEDLEY
Oh Rite
Your legs

RITE POOL
They took off

IZZY DEDLEY
And to the Three Trapped Tigers

RITE POOL
Talented morons
Don’t they have anywhere else to go
Come on we need to go get them

IZZY DEDLEY
No Rite
Someone has your legs

RITE POOL
And who could that be
a cripple

Dedley shakes his head.

a damned gimp

Dedley shakes his head.

A fetish freak

Dedley shakes his head.

A transvestite

Dedley shakes his head.

That pervert Josefina Mileto

IZZY DEDLEY
No
It’s a guy

RITE POOL
A guy

IZZY DEDLEY
A guy

RITE POOL
What guy

IZZY DEDLEY
A guy
with your legs

RITE POOL
And how do you know they’re mine
Were they clean-shaven

IZZY DEDLEY
They’re yours
The guy introduced them as Rite Pool’s legs and

RITE POOL
And

IZZY DEDLEY
They’re the life of the party

RITE POOL
With the rheumatism
with the corns
and the ingrown toenails

IZZY DEDLEY
They’re telling jokes about peg legs
about long roads
about tight shoes

RITE POOL
Those wretches

IZZY DEDLEY
Everyone’s laughing
Suarez
Mileto
and Diaz
They’ve put aside the onions

RITE POOL
Lousy loudmouths

IZZY DEDLEY
What are we going to do
jokes so hard to come by
and now with your legs

RITE POOL
Damned rheumatics
So charming
That you can’t help but watch them
them and their ingrown toenails

IZZY DEDLEY
Oh Rite
What are we going to do

RITE POOL
We’ll take them on

IZZY DEDLEY
A pair of legs
your legs

RITE POOL
After all
we’ve always been
a comic and a half


Scene 5

At the Three Trapped Tigers, Rite Pool’s dynamic legs dance, holding the attention of the three
trapped patrons, who have by now given up the knife and the onion for tired and incoherent laughs.
The barmaid has changed direction (and sex), turning into the bouncer. Behind the crowd Dedley
(from above) and Rite (from below) a table watch the show.

RITE POOL
It’s them Dedley
Look at their corns
The rheumatism
They have wit down to their toenails

IZZY DEDLEY
They’re beautiful Rite

BOUNCER
Have you paid yet

Dedley pays the bouncer.

Rite Pool moves toward the bouncer.

RITE POOL
Those are my legs

BOUNCER
How should I know
They just hired me
go ahead and complain to them
to them
anyway
What do you have to complain about
You only pay half

The bouncer exits.

RITE POOL
Come on do something
Something desperate 

IZZY DEDLEY
Desperate

RITE POOL
As if they were yours
And you wanted them back

IZZY DEDLEY
You want me to steal them

RITE POOL
It’s pointless
They’ll just run off again
Why not tell a joke

Dedley blocks the view of the show being putting on by Rite Pool’s legs.

IZZY DEDLEY
What are they doing
They’re waiting
Like those two fleas outside the movies

RITE POOL
No not that

IZZY DEDLEY
And they don’t know whether to head off on foot
Or to wait for a dog

SUAREZ
Get out

DIAZ
Move it

MILETO
Go rot

IZZY DEDLEY
They’re annoyed cause in the ugly pageant
they got kicked out for being pros 

RITE POOL
That’s not it either

The bouncer comes back with a whip in his hand.

SUAREZ
Get out

DIAZ
Move it

MILETO
Go rot

RITE POOL
Out of the way
knock-knees

Dedley looks down at his knees and gets out of the way.  The bouncer swings the whip against the
legs and they resume their dance. The three trapped patrons get back to their laughing.

IZZY DEDLEY
It’s useless Rite
I think I’ll let my legs go too
After all, I’ve never much liked my knees

RITE POOL
No doubt
Come on–pick me up

Dedley picks up Rite and places him on his knee as if he were a ventriloquist’s doll. The legs
stop dancing. The bouncer hits them with the whip but they don’t respond.

BOUNCER
To Rite
Stop it
Let them dance

The bouncer continues whipping them, but there’s no response.

BOUNCER
Let them work

The three trapped patrons turn around to see who the bouncer is addressing, and discover the other
half of Rite Pool.

SUAREZ
It’s Rite Pool

RITE POOL
It’s not the sum of him
It’s the remainder

DIAZ
It’s Rite Pool’s other half

RITE POOL
The one that speaks and thinks

DEDLEY
It’s Rite Pool’s torso

MILETO
That speaks
That tells jokes

SUAREZ
One about blacks

DIAZ
One about midgets

MILETO
One about teachers who don’t like gimps

IZZY DEDLEY
Why have him tell how his legs left him

SUAREZ
Sure

DIAZ
That one

SUAREZ
With their farewell note

RITE POOL
One day I woke up and they’d taken off

Everyone laughs and the Bouncer continues knocking around the legs, but to no avail.

RITE POOL
But they left me a note
And since then
I always carry it with me

Rite pulls out the note and reads it.

PS
we got bored

MILETO
What would your third grade teacher say if she saw you now

RITE POOL
She’d be sorry she hadn’t kicked me

The bouncer succeeds in getting a response from Rite Pool’s legs and the dance resumes. Everyone
at the Three Trapped Tigers shifts their attention toward them, even Dedley, who abandons Rite
underneath the table.

RITE POOL
One day I had a dream

The legs captivate everyone with their dance. No one pays any attention to Rite’s other half.

The tigers weren’t trapped
The table at home had four legs
Van Gogh had sold all of his paintings

The legs start to get tired.  The bouncer hits them with the whip which kicks them back into gear.

Solemnity did not exist.

The legs dance sluggishly.

Nor did bad rhymes

The legs collapse exhausted.

And I

The Bouncer whips them again and again without getting any reaction.

I kept on without legs

Everyone turns toward Rite and roars with laughter.  

RITE POOL
What are you laughing at

No one stops.

RITE POOL
What are you laughing at

SUAREZ
It’s Rite Pool

DIAZ
No
Half of Rite Pool

MILETO
It’s not the sum
It’s the remainder

IZZY DEDLEY
It’s Rite Pool’s torso

SUAREZ
What size

RITE POOL
It could’ve been Olympic
But now
It’s nothing but a two-bit tin bucket

DIAZ
Rite Pool

RITE POOL
You want to hear a joke

MILETO
Rite Pool

RITE POOL
You want to hear a joke

Silence.

IZZY DEDLEY
Tell it, Rite
Come on

Rite says nothing.


Scene 6

Rite sits on the bed that looks like Van Gogh’s. In front of the bed, an easel with a still life.

RITE POOL
One day I had a dream
But I woke up
I woke up and I heard the news
Miss Wheelchair 2007 rises to collect her prize
And to certify that they were valid invalids
The finalists were forced to dance
but they couldn’t
They were forced
but they couldn’t
or so I heard
it’s very much on my mind

He gets up from the bed. He puts one leg and then the other on the floor. He heads toward the easel.

These days I prefer to focus on my paintings

He takes the brush and starts to paint.

Still lifes
do sometimes sell
In the end
One has to justify one’s existence

Oranges
Lemons
Grapefruit
Limes
Citrus
Just citrus 

I never paint pictures of flowers
Even though they sell very well

I don’t like them
Even though they sell very well

Enough to buy you an entire body if need be
It wouldn’t matter if you were already dead 

So I’m drawn to citrus 

Oranges
Lemons
Grapefruit
Limes

What can you do

Cancer and AIDS and other illnesses remain incurable
We’ll emerge from the crisis in twenty years
and Miss Wheelchair will rise to accept her prize

As for me, I’d rather focus on my oranges
my lemons
grapefruit and limes

Citrus
Only citrus
And life
Life is dying of thirst.

Rite pulls out his laugh track and starts it up. He continues painting.

Bios

Veronica Bujeiro

Veronica Bujeiro is a playwright, screenwriter, and illustrator who graduated in Linguistics at Escuela Nacional de Antropologia e Historia. She has sustained her artistic career through the benefits of grants from IMCINE, FONCA, and the Foundation for Mexican Letters. In 2007, she was invited to the Lark Play Development Center with her play The Sadness of the Limes, translated by Andy Bragen. Amongst her staged and published plays are The dream of reason, The Sadness of the Limes, Forbidden to lay on the sun, and The innocence of the beasts. Lives and breathes in Mexico City.

Andy Bragen

Andy Bragen, a graduate of Brown University’s MFA Program in Literary Arts, was the winner of the 2007 Clubbed Thumb Biennial Commission. Other honors include a 2009-2010 LMCC Workspace Residency, a Tennessee Williams Fellowship from Sewanee, and a Jerome Fellowship. The Hairy Dutchman, commissioned by the University of Rochester, was produced at the university in April 2009. His second collaboration with jazz saxophonist John Ellis, The Ice Siren, premiered at the Jazz Gallery in May 2009. Spuyten Duyvil was produced by Brown/Trinity Playwrights Rep. in July 2008. Greater Messapia was produced at Queens Theatre in the Park in March 2004. Also a translator, Andy works directly from French and Spanish, and with a co-translator from the Japanese. Vengeance Can Wait was produced at PS122 in April 2008. Other plays and translations have been seen and heard at numerous theatres in New York and elsewhere. More information is available at www.andybragen.com.

La Tristeza de Los Cítricos. Copyright (c) INDAUTOR MEXICO, 2005. English translation copyright (c) Andy Bragen, 2009.