100 Refutations | Essay | Poetry
April, 2018Welcome to the second week of 100 Refutations. For one hundred days, we're publishing a daily poem from one of the countries recently denigrated by the president of the United States. Lina M. Ferreira C.-V., who conceived and compiled the series and translated many of its poems, has been working tirelessly on this enormous project, with the help of several collaborators, since the president’s comments in January. We're accompanying the daily poems with a weekly essay by Lina, and the second one is featured here.
– InTranslation editors
100 Refutations | Canada | English | Poetry | Venezuela
April, 2018María José Giménez is a Venezuelan-Canadian poet, translator, and editor working in English, Spanish, and French. Assistant Translation Editor for Anomaly (fka Drunken Boat), María José is a recipient of the 2016 Gabo Prize for Translation and fellowships from the NEA, The Banff International Literary Translation Centre, and the Katherine Bakeless Nason Endowment. Published translations include Edurne Pasaban’s memoir Tilting at Mountains (Mountaineers Books, 2014), Alejandro Saravia’s novel Red, Yellow, Green (Biblioasis, 2017), and a chapbook of poems by Mara Pastor, As Though the Wound Had Heard (Cardboard House Press, 2017). Learn more at mariajosetranslates.com.
100 Refutations | Essay | Poetry
April, 2018InTranslation is proud to present 100 Refutations, the brainchild of author and translator Lina M. Ferreira C.-V. Over the next hundred days, we'll be publishing a daily poem from one of the countries recently denigrated by the president of the United States. Lina M. Ferreira C.-V. has been working tirelessly on this enormous project, with the help of several collaborators, since the president's comments in January. Her essay describing how she was spurred to action is featured here, with poems to follow in separate posts.
- InTranslation editors
Critical Essay | English | United States
June, 2012"Clemens Berger, the Austrian playwright," writes Damion Searls, "was telling the audience one of those stories--you know the kind--about 'untranslatable' words, in this case a word from an indigenous language in southern Patagonia, and the word means, well, when a man and a woman are in a bar, and he looks at her, and she looks at him, and they look at each other and their looks say okay I'm interested in you but you need to make the first move and come over to me? The word means that. Everyone laughed, Clemens Berger is charming and tells a good story. I was on the panel as the translator, of his play Angel of the Poor, and he'd told the audience the story because I had just said that as a translator I didn't like to admit that anything was untranslatable, and now I said: 'See, you translated it! You told us in English and everybody laughed!' He said: 'But you can't translate it in one word--' and I said: 'Well, what matters more to you, how many words it has or whether everybody laughs?'"...
The Brooklyn Rail welcomes you to our web-exclusive section InTranslation, where we feature unpublished translations of fiction, nonfiction, poetry, and dramatic writing. Published since April 2007, InTranslation is a venue for outstanding work in translation and a resource for translators, authors, editors, and publishers seeking to collaborate.
We seek exceptional unpublished English translations from all languages.
Fiction, Nonfiction, and Poetry: Manuscripts of no longer than 20 pages (double-spaced).
Plays: Manuscripts of no longer than 30 pages (in left-justified format).